Ancient Egyptian Bronze Figure - Priestess of Bastet | 22nd Dynasty & Royal Athena Galleries
Ancient Egyptian Bronze Figure - Priestess of Bastet | 22nd Dynasty & Royal Athena Galleries
Ancient Egyptian Bronze Figure - Priestess of Bastet | 22nd Dynasty & Royal Athena Galleries
Ancient Egyptian Bronze Figure - Priestess of Bastet | 22nd Dynasty & Royal Athena Galleries
Ancient Egyptian Bronze Figure - Priestess of Bastet | 22nd Dynasty & Royal Athena Galleries

Ancient Egyptian Bronze Figure - Priestess of Bastet | 22nd Dynasty & Royal Athena Galleries

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Estimated time period from 943BCE to 720BCE
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Experience the mystique and elegance of ancient Egypt with this extraordinary bronze figure of a Priestess of Bastet. Dating back to the Third Intermediate Period, specifically the 22nd Dynasty (circa 943 to 720 BCE), this artifact is a testament to the intricate artistry and religious devotion of the time.

Historical Significance and Cultural Context

This period in Egyptian history was characterized by a shift in power dynamics, with regional rulers gaining prominence after the decline of the New Kingdom. Despite political changes, religious practices remained integral, with deities like Bastet playing a central role in daily life and spiritual practices. Bastet, originally a fierce lioness goddess, evolved over time to be associated with domestic cats, symbolizing protection and nurturing.

Detailed Description and Iconography

Standing at 3.6 inches (9.1 cm) tall, this bronze figure showcases the exceptional skill of ancient Egyptian artisans. The priestess is depicted holding a sistrum in her right hand, a musical instrument used in religious rituals, symbolizing joy and divine protection. In her left hand, she holds an aegis, likely representing the counterpoise of a menat necklace, another symbol of protection. Nestled in the crook of her arm is a basket, perhaps indicating her role in carrying offerings.

The priestess’s attire and hairstyle are meticulously detailed, reflecting the fashion of the elite during this period. The figure’s pose, with one leg slightly forward, suggests a sense of movement and readiness, a common trait in Egyptian statuary intended for ritual use.

Provenance and Exhibition

History The provenance of this figure is impeccably documented, adding to its authenticity and value. It has been part of the private Jones collection in Boulder, Colorado, and has passed through the esteemed Royal-Athena Galleries in New York. The figure was also exhibited at the Picker Art Gallery, Colgate University, and Fitchburg Art Museum from 1990 to 2016. Additionally, it has been featured in notable publications, including J. Eisenberg's "Art of the Ancient World: The Age of Cleopatra" (1988) and "Art of the Ancient World" (2018).

Condition and Craftsmanship

Crafted from leaded bronze, this figure has withstood the test of time, retaining a rich patina and intricate details. Expected surface wear, nicks, and abrasions are consistent with its age, enhancing its historical charm. The figure is permanently adhered to a custom stand, ensuring its stability and display readiness.

Religious and Ritualistic Significance

This votive figure would have been sold at a temple in Bubastis, the cult center of Bastet, to a worshipper. It could have served as an offering to gain the goddess's favor or been kept in a personal shrine as a protective talisman. The quality and craftsmanship of the figure suggest it was a significant offering, reflecting the devotion and social status of its owner.


The bronze figure of the priestess of Bastet stands out due to its detailed iconography and the combination of objects it holds, each of which has significant cultural and religious implications. The sistrum and the aegis highlight the figure's connection to musical and festive rituals, while the basket underscores her role in offerings. The detailed representation of her hair and facial features reflects the high level of craftsmanship. The patina and surface wear are consistent with the figure's age, further validating its authenticity. This combination of attributes makes the figure a rare and valuable piece for collectors, providing a tangible connection to the religious practices of ancient Egypt.

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